Aryan Khan’s The Bads of Bollywood Receives Positive Response for Bold Satire and Performances

The audience reception to The Ba**ds of Bollywood* has been largely positive, with many calling it “bold, fresh, and fun.” The performances, sharp writing, and stylish direction have made it a trending title, especially among urban and younger viewers. While not without its flaws, the series is being hailed as a strong debut for Aryan Khan and a much-needed satirical take on the Bollywood machine.

Aryan Khan’s directorial debut, The Ba**ds of Bollywood*, released on Netflix on 18 September 2025, has sparked a wide range of reactions from audiences across the country. The series dives deep into the murky underbelly of the film industry with satire, drama, and sharp wit — and viewers are taking notice.

What Audiences Are Loving

  • Bold Satire with a Punch: Viewers are appreciating how the series fearlessly mocks the very industry it belongs to. The take on nepotism, stardom, and media manipulation has struck a chord, especially with younger audiences.
  • Raghav Juyal’s Standout Performance: One particular scene featuring Raghav Juyal’s character, “Parvaiz,” interacting with Emraan Hashmi — and breaking into the iconic song Kaho Na Kaho — has gone viral for its hilarious execution. Raghav is being praised for his comic timing and expressive delivery.
  • Cameos and Nostalgia: From surprising celebrity appearances to clever throwbacks to old-school Bollywood, the show keeps fans entertained with moments that blend humour and nostalgia. Many called it “a treat for true Bollywood lovers.”
  • Aryan Khan’s Confident Direction: Aryan Khan’s debut is being praised for its polish, pacing, and bold storytelling. Despite being his first major project, audiences say he’s shown the skill of a seasoned director.

Mixed and Critical Reactions

  • Predictable Story Beats: Some viewers feel that while the series starts strong, parts of the plot become predictable — especially the classic “outsider vs insider” arc.
  • Self-Referential Overload: A few critics argue that the show is too self-indulgent, with obvious parallels to Aryan Khan’s real-life controversies and the media frenzy surrounding them. While many appreciated the boldness, some saw it as an attempt to rewrite or reclaim the narrative.
  • Style Over Substance: While the glitz, glamour, and humour are fun, a portion of the audience feels the show could have gone deeper in its critique of the industry instead of playing it safe with satire.